by ATELIER KEMPE THILL
Residence in Kallitechnoupolis
by TENSE ARCHITECTURE NETWORK
Underground S-Bahn station in the centre of Leipzig.
by PETER KULKA
Shenzhen Bao’an International Airport
by MASSIMILIANO & DORIANA FUKSAS
by DOSIS DE ARQUITECTURA
Shoei Yoh Architects | Egami Clinic, 1982 Nagasaki
Bioplastic Façade Research Project:
The ITKE has many years of experience in teaching and research in the fields of computer based design, simulation, and production of cladding for buildings with complex geometries. Currently, materials made from oil-based plastics, glass, or metal are mainly used to encase these structures. Thermoformable sheets of bioplastics will represent a resource-efficient alternative in the future, as they combine the high malleability and recyclability of plastics with the environmental benefits of materials consisting primarily of renewable resources.
This design hotel along the Khao Lak Coast of Southern Thailand is called ‘Casa de la Flora‘ designed by Bangkok-based practice Vaslab Architecture. Challenged to create a bold architectural expression while yielding to nature’s delicate elements – the flora – the team realized a series of 36 cubed villas made of a concrete outer shell and a warmer wood-lined interior. Each structure originates in the ground and skews up towards the air and over the next construct.
The Centennial Chromagraph is a life-size representation of the history of the University of Minnesota School of Architecture. The project is an exercise in data spatialization: using computational design tools to generate formal and spatial constructions with large quantities of data—in this case, information collected over the 100-year history of UMN’s architecture school.
The installation consists of 100 robotically-routed plywood ribs, joined together with 8,080 colored #2 pencils. The curvature of the ribs expresses major historical eras and periods of the School—the tenures of its leadership, the buildings it has occupied, the colleges it has belonged to—while the color of the pencils reflects the changing composition of the School’s degree programs over the past century. For example, the tenure of Ralph Rapson as head of the School of Architecture is evident in the large thirty-year curve that swells out in the center of the piece. Similarly, the prevalence of the Bachelor of Architecture degree, which began in the 1930s and lasted until the late 1990s, is legible in the large number of red pencils that extend across that 60-year period.
Poolhouse / OOKARCHITECTEN
Kowalewski Residence / Belmont Freeman Architects